The ways in which the quiet, thoughtful, generous Shinji values honesty, family, hard work, and the lessons nature has to teach him provide him with a strong moral compass that guides the novel’s thematic interrogations of nature, love, class, and the destructive effects of gossip. While sailing to Okinawa, Shinji braves a fearsome typhoon to rescue the ship from capsizing-and he thus proves that his connection to nature, his bravery, and his selfless nature make him the perfect match for Hatsue. When Shinji receives a mysterious offer to work aboard one of Terukichi’s freighters, he is confused but accepts the job with grace and gratitude. Shinji tries to keep his head down and stay detached from the drama brewing on the island, but he cannot silence his love for Hatsue, and he remains dedicated to finding a way for them to be together. Suddenly, the humble and unassuming Shinji finds himself at the center of a swirling storm of scandal and gossip. Chiyoko starts a rumor that Shinji and Hatsue have slept together-and overnight, Shinji finds his life completely changed. After the two confess their love for one another one stormy day, the jealous daughter of the lighthouse-keeper and his wife, Chiyoko, sees Shinji-the object of her own affections-descending a slope with Hatsue on his arm. Though Shinji is poor, he is devoted to Hatsue and sees her as his equal. The object of his affection turns out to be Hatsue Miyata-she is the daughter of the powerful and imposing Terukichi Miyata, one of the wealthiest men on the island. When Shinji notices a beautiful new face on the island of Uta-jima, he falls head over heels for her. He draws strength and a sense of companionship from the sea, and he is deeply devoted to his family-he gives his widowed mother his every paycheck so that she can care for herself and Shinji’s younger brother Hiroshi. Shinji is deeply connected to nature, intuition, and hard work. A humble young fisherman’s apprentice, he spends his days working hard on a fishing boat alongside his fellow apprentice Ryuji and his master Jukichi. When a company has discovered such a god-like mortal, their only other difficulty will be to resist the temptation to cast him for the leading part and let the noises "go hang".Shinji Kubo is the protagonist of the novel. The other side of shore is always the success Dido Stargaze. I am the shore and the ocean, awaiting myself on both sides. I must go down to the seas again, for the call. You can either be the ball floating on the waves, or make your own waves. I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheels kick and the winds song and the white sails shaking, And a gray mist on the seas face, and a gray dawn breaking. If he is also a singer, a harpsichord-player and a certified plumber, so much the better. Life is an ocean and waves are our paths. Add to these utter dependability and handiness with tools, and season the whole mixture with patience and humour. So then, for a good effectsman we have to find a person of the auditory type, having a sense of rhythm, as much stage sense and experience as possible combined with acting ability, sympathy, and sensitiveness. Here's one of my favorite quotes, taken from the end of the introduction: As you might expect, it's very much of its time, but it contains many gems and would certainly be helpful if you are looking to replicate other sound effects live. In it, he covers creating sound effects ranging from the natural to the mechanical. It is an absolutely lovely book on live sound effects written in the 1930's by a man who was a director at the Old Vic theatre. It's very hard to find as it has been out of print for an incredibly long time, but there are a couple copies floating around, including on. Since your question seems to have been decently answered at this point, I would like to make a plug for the book "Noises Off" by Frank Napier. We reserve the right to remove posts and/or comments that contain blatantly dangerous advice. Always consult properly trained personnel when making any decisions on rigging, construction methods, or other areas of production technology that involve risk to life and property. The mods and users of /r/techtheatre assume no liability for any loss or damages due to advice given in this subreddit. Photos of your space / How did they do that? Automated Thread Archives DateĪMA Rules Filter content by post type: Click Here to Reset filters Header Artwork by q2q Comics Important InfoĪll AMAs listed in eastern time zone.
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